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mariehelene Offline



Beiträge: 899

17.01.2010 02:28
Every good boy deserves favour (NT, 2010) antworten

a play for actors and orchestra by Tom Stoppard and André Previn

approx. 1h 05 min, no interval

opened at the Olivier 16.1.2009
returned to the Olivier 9.1.2010, (11.1.10)


Alexander: Adrian Schiller
Ivanov: Julian Bleach
Sacha: Wesley Nelson or Shea Davis
Doctor: Jonathan Aris
Teacher: Pandora Colin
Colonel: Peter Pacey
Ensemble: Elizabeth Barker, Jason Cheater, Sarah Dowling, Conor Doyle,
Geir Hytten, Robert McNeill, Emily Mytton, Fernanda Prata, Vinicius
Salles, Dan Winter


SOUTHBANK SINFONIA
Conductor: Simon Over

Violin I: Eugene Lee (leader), Chloé Boireau, Ruth Elder, Arnaud Ghillebaert,
Joe Ichinose, Clare Kennington, Thomas Leate, Fabienne Leresche,

Violin: Mireira Ferrer, Charmian Keay, Verity Marshall, Rebecca Mathews,
Alberto Vidal Borrella, Clare Wheeler

Viola: Christopher Beckett, Shelagh McKail, Rebecca Saxby, Mariya Sotirova

Cello: Kwêsi Edman/Gemma Wareham, Lora Marinova, Alessandro Sanguineti,
Michael Wigram

Bass: Georg Burgstaller, Jacqueline Dossor/ Anthony Williams

Flute: Amanda Izzo/Jose Zalba

Oboe: Liesbeth Allart/Anna Turmeau

Clarinet: Kristal Hamson, David Wong

Bassoon: Rosie Burton/Andrew Watson

Horn: Kathryn Allnutt, Lucy Gallantine

Trumpet: Lucy Leleu, William Russell

Trombone: Iain Maxwell, Blair Sinclair

Percussion: Michael Allen/Alex Duggan, Elizabeth Barker, Scott Wilson

Harp: Daniel De Fry

Orchestra Management: Clare Dodd and NT Music Department

Directors: Felix Barrett and Tom Morris

Music Director: Simon Over

Designer: Bob Crowley

Lighting Designer: Bruno Poet

Choreographer: Maxine Doyle

Sound Designer: Christopher Shutt

Company Voice Work: Kate Godfrey






Two men both with the name of Alexander Ivanov are kept in one cell in a mental institution,
because one is hearing an orchestra and the other one has supported a friend who was arrested for
his political believes and refused to give in to torture and pressure from the authorities. His son oppressed in
a borstal for his behaviour tries to persuade him to give in to be freed. The director of the institution is more
an enthusiatisc violin player than a doctor and tries to stay out of politics.

Rescue comes from an very unlike source.

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